Sunday, July 4, 2010

Witches: Introduction

Diving back into my series about mythical creatures, in the next two weeks I will be covering witches and witchcraft. 


To start, I will be dividing this subject into three parts:


1) Witchcraft in fiction. Or, in other words, what you can do with it if you aren't trying to maintain a certain realism to that aspect of the story. 

2) Natural witchcraft. By this, I mean the sort of witches you might find at a psychic fair. In this post I will be covering clairvoyence, ESP, tarot cards, astrology and other forms of magic realism. 

3) Existing witchcraft. In this post, I will outline the forms of witchcraft known to the modern world. I'm talking Wicca, Voodoo, Hoodoo, Shamanism, etc. 

4) And to sum it all up, a post to help you create a good magic scheme for your book. 


Happy Independence Day to all of my American readers!


Clara.

Thursday, July 1, 2010

Interview: Musician Mitchell Carrington

Hello and happy Canada Day to all you fellow Canadians! To any Americans reading this, happy early Independence Day! In honour of this Canadian celebration, I have the pleasure (and the connections, got to love those) of sitting down with Canadian born-and-bred musician Mitchell Carrington. 


If you'll recall, I mentioned him in passing during my post about writing to music. Thanks to my close friend L. K. Below, I was able to arrange an interview with the indie musician. For those of you who didn't catch my previous post, Mr. Carrington was the recent gem I discovered on my search for music which inspires stories. Unlike most of the artists on my list, Mr. Carrington creates music without accompanying words. While that may not be some people's cup of tea, to me (and I imagine many other writers), modern music such as his is a godsend. It allows books to blossom without becoming distracted by the words to your favourite song. 


But, I digress. Let's get on with the interview!


Clara: How long does it typically take to compose an album?


Mitchell: It all depends on the content of the album. My holiday album, An Instrumental Christmas, took me 4 full months to finish. The reason I was able to finish it so fast was because the content was already out there. I just had to rearrange everything and adapt it to my style and choice of instrumentation. Inner Space, on the other hand, took over 7 months to finish. Inner Space is packed with a lot of content.



Clara: Do you ever find yourself stuck at times? What do you do to keep the creative juices flowing?

Mitchell: Sometimes I am lucky and able to write a song in a matter of hours or days. For the most part, I find myself stuck somewhere. There's not really much to do when that happens. If I find myself stuck, I usually move on to a different song. Sometimes taking a break from a certain song will allow the creative juices to replenish. 



Clara: When you compose your songs, do you compose them to tell a story? Do you picture the story in your head as you go along?

Mitchell: Most of my songs tell a story. Some of those stories are fictional, some are not. When I was composing Inner Space, I certainly pictured the story in my head. It's a fictional story of space (space is one of my favourite themes in fiction).



Clara: Do you ever compose your songs to bring out a certain mood in your listeners? If so, do you find that more difficult than just letting your creativity run naturally?

Mitchell: In my EP, Our Final Hours, my composition style was focused on bringing out the emotion of the song. These emotions were mostly based on personal experiences at the time the songs were written. When I listen to these songs today, I can feel the emotions that I put into them, but I do not know if everyone else can. With the release of my Single, Close Your Eyes, and later with the release of Inner Space, I found that I focused a lot less on emotion and more on creativity. I'm quite happy with how my album turned out because of that.



Clara: A little birdy told me that you once tried your hand at fiction writing. How do you think composing music compares to writing fiction?

Mitchell: I remember writing a fictional story in elementary school. I even wrote a sequel. But I lost the story not long after, so all I have is a few memories of writing it. I also took a few stabs at fiction writing in high school, but composing music became dominant for me. Looking back, I see a lot of similarities between writing fiction and composing music. As with my story from elementary school, Inner Space focuses a lot on the creativity I had going on in my mind. If my fiction writing skills were better, I'd love to write a story about Inner Space. 



Clara: Any other creative tips or trades that you would like to share with us?

Mitchell: Set your goals high, set reasonable deadlines, and don't be afraid to take a break if you find yourself stuck. By setting your goals high, I find you can accomplish a lot, even if you don't reach those goals. 


Clara: Thank you, Mitchell, for joining us today. For those of you interested in his music, you can find it on iTunes and Amazon, or you can check out Mitchell's website for free samples! You can also read what L. K. Below has to say about his newest album.


Have a wonderful Canada Day, everyone!


Clara.

Sunday, June 27, 2010

Music In Writing

Some writers can't write if there's any noise going on in the background, let alone music. Others, like Sonya Clark, just can't get in the writing groove without listening to a good song or two. 


I'll admit, most times, I fit under the second category. But unlike some authors, who have playlists depending on mood, etc., I operate on a one-song-per-book basis. I like to find the song that seems to symbolize my characters and their budding relationship. Then I loop it while writing, or stop to listen to it as I'm trying to imagine what will happen next. 


But sometimes, listening to your favourite song can be distracting. I know sometimes I end up singing along instead of writing. If you have the same problem, I recommend finding a song without words. The flow of the music will be the same, and if the emotion in the piece is good, it will have the same effect. I know that not everyone is a fan of classical music. Some find it tedious and boring. My advice to you? Find a good contemporary musician. They do exist. Thanks to a post by L. K. Below, I think I might have found mine in Mitchell Carrington. 


What about you? Do you prefer to write with music or without? 


Clara.

Wednesday, June 23, 2010

Part 2: Vampires

Obviously, I have not read every single source about vampires. I cannot even claim to have read every single paranormal romance featuring these mythical creatures. However, having written a vampire romance myself, I can direct you towards some very useful books on the subject. Have I left something out? If so, feel free to email me and tell me about it at c.hanoux@hotmail.com or comment below! Your input is valued.


Let us start with what a vampire is. We've all heard of them, mostly due to popular books, movies, and television series like Twilight by Stephenie Meyer, or the ever popular Dracula. But how would you describe a vampire?


The Dictionary of Mythology by J. A. Coleman (Arcturus Publishing Ltd., 2007) describes a vampire as:

vampire

a monster leaving the grave to suck blood from the living: the spirit of one excommunicated, a heretic, etc.

It is said that a vampire can be killed only by driving a stake through its heart or by shooting it with a silver bullet.


But that brief quotation doesn't really describe vampires. After all, while it may tell of certain ways to kill one, it speaks nothing of a vampire's supernatural abilities, or the fact that it roams the night and not the day. 


You could turn to classic literature for that answer. If you were to take a peek at Bram Stoker's Dracula, you would learn several fascinating things about vampires. They cannot cross running water, they can turn into bats or wolves, they can control your mind. Reading between the lines of your favourite poem such as Christabel by Samuel Taylor Coleridge or Der Vampir by Heinrich August Ossenfelder can also help to discern what exactly a vampire is, and what it can do.


In my opinion, a vampire is whatever you want it to be. I prefer to take bits and pieces—such as its being harmed by sunlight or the ability to control other people—and work that into the story along with my own ideas. Myths have been skewed over time, after all. So long as you maintain an internal consistency, feel free to let your imagination take you wherever it will.


Some other good sources when looking for vampire lore are:

  • The Monster Hunter's Handbook by Ibrahim S. Amin
  • The Vampire Slayers' Field Guide to the Undead by Shane MacDougall
  • The Vampire, His Kith and Kin by Montague Summers (find the abridged version by clicking here) 
  • The Book of Vampires by Dudley Wright
  • Dracula by Bram Stoker
  • Interview With A Vampire by Anne Rice (along with her other books in that series)
  • The Wikipedia page on Vampires
  • simplysupernatural-vampire.com - A great site listing books, poems, etc. on vampires.
  • Everything You Need to Know About Vampires - A great site, another one listing lore and abilities. 


And, of course, the most enjoyable part of research—seeing what others in the genre have written about vampires! Below is a list of some of my favourite vampire writers and their books. Please note, if the entire series featured vampires, I listed the series name. However, if only one or two books in the series featured vampires as main characters, I listed the titles of those books instead. Have a good read!


Lara Adrian, Midnight Breed series


Kresley Cole, Immortals After Dark

"The Warlord Wants Forever" (in Playing Easy To Get, anthology)

A Hunger Like No Other

No Rest For the Wicked

Dark Needs At Night's Edge

Untouchable (in Deep Kiss of Winter, anthology)


MaryJanice Davidson, Undead series


Sherrilyn Kenyon, Dark Hunter series 


Katie MacAlister, Dark Ones series


Teresa Medeiros,

The Vampire Who Loved Me

After Midnight 


Lynsay Sands, Argeneau series 


Maggie Shayne, Wings in the Night series


Lynn Viehl.

Darkyn series,

Kyndred series. 

 

J. R. Ward, Black Dagger Brotherhood series


Christine Warren. 

One Bite With A Stranger. (formerly Fantasy Fix)

You're So Vein.


What are your favourite vampire books?



Clara.

Sunday, June 20, 2010

Introduction: Vampires, Witches, and Werewolves, Oh My!

This series comes a little late, and for that I apologize. Over the next few months, I'll take a journey with you as we examine the different possibilities for your main characters. If you feel I have left out any particular mythical creature, feel free to email me at c.hanoux@hotmail.com or comment below. 


For those of you indecisive or lost when it comes to researching, hopefully this series will prove a beacon on your journey. However, if you're not so thrilled about this, never fear: I will be breaking up the research monotony with some of my regular posts. 


In the months to come, I will be exploring the following creatures for this series, in order:


1) Vampires

2) Witches

3) Shapeshifters

4) Fairies and Pixies

5) Ghouls

6) Ghosts and Poltergeists

7) Sirens

8) Mermaids

9) The Incubus and Succubus

10) Genies

11) Golems and Gargoyles

12) Giants

13) Angels and Demons

14) Gorgons

15) Banshees

16) Nymphs and Dryads

17) Elves

18) Dwarfs

19) Furies

20) Valkyries 

21) Leprechauns

22) Zombies

23) Gods and Demigods


Until next week,


Clara.